UGC NET English July 2018 Part-3

John Heywood wrote a farcical Interlude called The Four P’s

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The very last passage of a novel is given below. Identify the novel. “Welcome, O life, I go to encounter for the Millionth time the reality of experience and to forge in the smithy of my soul the uncreated conscience of my race. April 27. Old father, Old articer, stand me now and ever in good stead.”

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Francis Bacon’s New Atlantis is about a utopian state called

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The error of interpreting a literary work by referring to evidence outside of itself, such as the design and purpose of the author is called

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Match the characters with the novels: (a) Arthur Seaton (i) Top Girls (b) Marlene (ii) The Golden Notebook (c) Anna Wulf (iii) The Swimming Pool Library (d) Beckwith (iv) Saturday Night and Sunday Morning

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Thou will not wake Till i thy fate shall overtake; Till age, or grief, or sickness must Marry my body to that dust It so much loves; and ll the room My heart keeps empty in the Tomb. Stay for me there; I will not fail To meet thee in that hollow Vale. And think not much of my delay; I am already on the way. Which of the following readings do you nd appropriate to the spirit of the lines above

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In the following series, which one has all the poets correctly matched in the poems ?

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In the mechanical drill method of second language acquisition : (a) The learner has the freedom to from many responses. (b) The learner’s response is totally controlled. (c) Comprehension of the item by the learner is not required. (d) Comprehension of the item by the learner is obligatory. The right combination according to the Code is:

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The 1950’s saw the rise of backlash against modernism and against New Romanticism that became known as The Movement. Which of the following little magazines came to be associated with The Movement ? (a) Departure (b) New Verse (c) London Mercury (d) New Poems The right combination according to the code is:

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From among the following, identify the incorrect observation regarding Ferdinand de Saussure’s seminal distinction between language and parole.

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